School of Fontainebleau

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Palace of Fontainebleau: Palace of Fontainebleau (/ˈfɒntənbloʊ/; French pronunciation: ​[fɔ̃tɛnblo]) or Château de Fontainebleau, located 55 kilometers (34 miles) southeast of the
Barbizon school: school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau,
School of Fontainebleau: The School of Fontainbleau (French: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late
Dutch Golden Age painting: the 19th century. Art of the Low Countries Delft School (painting) Dutch School (painting) List of Dutch painters List of painters from the Dutch Golden
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Fontainebleau: Fontainebleau (/ˈfɒntɪnˌbloʊ/; French pronunciation: ​[fɔ̃tɛnblo]) is a commune in the metropolitan area of Paris, France. It is located 55.5 kilometres
Hudson River School: The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by
Color field: school. Still was considered one of the foremost color field painters – his non-figurative paintings are largely concerned with the juxtaposition of different
Pierre-Auguste Renoir: their property near Fontainebleau and its scenic forest. This loss of a favorite painting location resulted in a distinct change of subjects. Renoir was
Gabrielle d'Estrées et une de ses sœurs: work of a painter from the Fontainebleau School. The painting portrays Gabrielle d'Estrées, mistress of King Henry IV of France, sitting nude in a bath
Dutch and Flemish Renaissance painting: Antwerp. Dutch and Flemish painters were also instrumental in establishing new subjects such as landscape painting and genre painting. Joachim Patinir, for
Expressionism: modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present
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Pascal Lecocq: school, Ecole Comairas art school, from the Fondation Taylor, in Fontainebleau, from 1973 to 1977, as a pupil of Yvonne Bouisset Mignon (daughter of the
Baroque painting: painters of the Baroque period are Velázquez, Caravaggio, Rembrandt, Rubens, Poussin, and Vermeer. Caravaggio is an heir of the humanist painting of the
Naïve art: Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve
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Rosso Fiorentino: leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death
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Florentine painting: through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine
Hague School: area near Fontainebleau. The emphasis of their work here was on painting nature as they saw it - Barbizon was not a school but a community of artists.
Mannerism: Mannerism, popularly known as the School of Fontainebleau. The examples of a rich and hectic decorative style at Fontainebleau further disseminated the Italian
Bolognese School: The Bolognese School of painting, also known as the School of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence
Flemish Baroque painting: small paintings were traded widely throughout Europe, and by way of Spain to Latin America. Antwerp school List of Flemish painters Flemish painting Vleighe
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Diana the Huntress: oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers
Academic art: academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is
Northern Mannerism: many workshops produced highly detailed painting until about the 1580s. Apart from the Palace of Fontainebleau itself, other important buildings decorated
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Action painting: essay "The American Action Painters", and signaled a major shift in the aesthetic perspective of New York School painters and critics. According to Rosenberg
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Antoine Caron: illustrator, Northern Mannerist painter and a product of the School of Fontainebleau. He is one of the few French painters of his time who had a pronounced
Jan Matsys: reminiscent of the school of Fontainebleau. He was born in Antwerp, the son of leading Antwerp painter Quinten Matsys and the older brother of Cornelis,
Justice of Trajan: from the Second School of Fontainebleau". Burlington Magazine, vol. 142, no. 1166 Trajan and the Widow Italian panel (in Russian) Simeon of Polotsk's The
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Alexandre-Gabriel Decamps: consequence of being thrown from a horse while hunting at Fontainebleau. Decamps was the founding father of Orientalism since he revealed everyday Oriental life
Narcisse Virgilio Díaz: many of these paintings remain extant. He also spent much time at Barbizon, near the Fontainebleau Forest, where some of his most famous paintings were
Armand Cassagne: Landin - 5 June 1907, Fontainebleau) was a French painter, watercolorist, lithographer, and writer; associated with the Barbizon School. He studied with the
Théodore Rousseau: was a French painter of the Barbizon school. He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but
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Artists of the Tudor court: There was also probably much decorative painting. As for the similar work at the Château de Fontainebleau, which Nonsuch was certainly intended to compete
Flora (Jan Massys): a painter of the female nude, which he painted in a style reminiscent of the school of Fontainebleau, with which he had been associated. The view of Antwerp
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Raphael: Penni, brother of Gianfrancesco and later a member of the First School of Fontainebleau, may have been a member of the team. Portrait of Elisabetta Gonzaga
Rococo: Austria and Southern Germany, Italian painting had the largest effect on the Rococo style. The Venetian painter Giovanni Battista Tiepolo, assisted by
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Paul Reynard: Fine Arts of Fontainebleau, France. Painting. 1966-69 Visiting Instructor at Pratt Institute, New York. Drawing. 1978-80 The School of Visual Arts, New
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Romanesque art: probably much more so than paintings – the names of more makers of these objects are known than those of contemporary painters, illuminators or architect-masons
Photorealism: different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early
Impressionism: with their "tacit imperatives of taste and conscience". Photography encouraged painters to exploit aspects of the painting medium, like colour, which photography
1500 in art: 1548) Luca Penni, Italian painter, member of the School of Fontainebleau (died 1556) Georg Pencz, German engraver, painter and printmaker (died 1550)
French art: Francesco Primaticcio, and Niccolò dell'Abbate of what is often called the first School of Fontainebleau from 1531. Leonardo da Vinci also was invited
Cretan School: Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian
Simon Hantaï: French nationality in 1966) is a painter generally associated with abstract art. After studying at the Budapest School of Fine Art, he traveled through Italy
Realism (art movement): as a reaction to Romanticism and History painting. In favor of depictions of 'real' life, the Realist painters used common laborers, and ordinary people
French Renaissance: château of Fontainebleau and they are typically called the second School of Fontainebleau. Marie de' Medici, Henry IV's queen, invited the Flemish painter Peter
Ancient Greek art: literary form consisting of a description of a work of art, and we have a considerable body of literature on Greek painting and painters, with further additions
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School of Ferrara: The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well
Forlivese school of art: Forlivese school of art was a group of Italian Renaissance painters and other artists. Most were born in Forlì or near it in the Emilia-Romagna region of Italy
Metaphysical painting: Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and
Master of Flora: of Flora was a French painter, associated with the School of Fontainebleau, who was active in the middle of the 16th century. The notname, "Master of
Art of Europe: Black-figure vase painting and Red-figure vase painting gives many surviving examples of what Greek painting was. Some famous Greek painters on wooden panels
Post-Impressionism: positions of impressionist painters like Claude Monet, Camille Pissarro, Auguste Renoir, and others—as well as all new schools and movements at the turn of the
Novgorod School: The Novgorod School is a Russian school noted for its icon and mural painters active from the 12th century through the 16th century in Novgorod. During
Old master print: engravings, for which many of Raphael's drawings survive. Rather later, the paintings done by the School of Fontainebleau were copied in etchings, apparently
Macchiaioli: also found inspiration in the paintings of their French contemporaries of the Barbizon school. They believed that areas of light and shadow, or "macchie"
Suprematism: exhibitions of 1912 with cubo-futurist works. The proliferation of new artistic forms in painting, poetry and theatre as well as a revival of interest in
Romanticism: especially in the exaltation of an untamed American landscape found in the paintings of the Hudson River School. Painters like Thomas Cole, Albert Bierstadt
Mary Hoover Aiken: Fontainebleau and in Munich at the Königliche Kunstgewerbeschule München. Spanish painter Luis Quintinilla selected Hoover to assist him in painting two
Vorticism: Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours
Neo-Impressionism: (from 1907), into their dynamic paintings and sculpture. The influence of Seurat and Signac on some Italian painters became evident in the First Triennale
Rosa Bonheur: French artist known best as a painter of animals (animalière). She also made sculpture in a realist style. Her paintings include Ploughing in the Nivernais
Cologne School of Painting: The term Cologne School of Painting was first applied in the 19th century to describe old German paintings generally. It subsequently came to refer more
Renaissance: were the development of perspective in oil painting and the revived knowledge of how to make concrete. Although the invention of metal movable type sped
Night in paintings (Western art): Renaissance painter who belonged to the Ferrara School of Painting.: 56  Albrecht Altdorfer (c. 1480 – 12 February 1538) was a German painter, engraver
Lyrical abstraction: characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile

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