Luca Giordano

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Marriage of the Virgin (Giordano): Marriage of the Virgin is an oil on canvas painting by Luca Giordano, executed c. 1688, probably from a series of scenes from the Life of the Virgin for
Bernardo de' Dominici: intellectual elite of Naples. In 1727, Dominici published a biography of Luca Giordano. Dominici, however, is best remembered as the Neapolitan Vasari, after
History of painting: by religious and mythological paintings in the Grand Manner by artists such as the Carracci, Guido Reni, and Luca Giordano. Illusionistic church ceiling
Diego Velázquez: example of European baroque art. Luca Giordano, a contemporary Italian painter, referred to it as the "theology of painting", and in the eighteenth century
Jusepe de Ribera: Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, the Flemish painter Hendrick
Musée Fabre: Allori : 3 paintings including Venus and Cupid Federico Zuccari Bernini Il Guercino : 2 paintings Domenichino : 2 paintings Salvator Rosa Luca Giordano Mattia
Venetian painting: of bravura brushwork. Visits to Venice by the leading Neapolitan painter Luca Giordano in 1653 and 1685 left a body of work in the latest Baroque style
Western painting: by religious and mythological paintings in the Grand Manner by artists such as the Carracci, Guido Reni, and Luca Giordano. Illusionistic church ceiling
Claudio Coello: Titian and Rubens. The preference which was given to Luca Giordano, who came to Madrid in 1692, in painting the grand staircase in the Escorial, mortified Coello
Musée des Beaux-Arts de Bordeaux: John Lewis Brown Joos de Momper Joshua Reynolds Perugino Louis Valtat Luca Giordano Léon Cogniet Mary Cassatt Melchior d'Hondecoeter Narcisse Virgilio Díaz
José del Castillo: Luca Giordano and his mentor, Giaquinto, but later created his own, based on scenes from daily life. He did execute an occasional religious painting,
Francesco Zanella: 1717) was an Italian painter, active in Padua and painting in a Baroque style. He was born in Padua, and he putatively trained under Luca Ferrari in Padua
Giuseppe Simonelli: painter, active in a late-Baroque style. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano.
Vibo Valentia: convent of Friars Minor Capuchin; on the inside there are one painting by Luca Giordano, La Madonna col bambino tra i Santi Anna e Felice, and one by
Michele Ricciardi: Fisciano in the province of Salerno. He is described as a follower of Luca Giordano and Francesco Solimena. He mainly painted sacred subjects for churches
Santa Maria Regina Coeli: De Marino, and holds canvases by Stanzione; By the windows are painting by Luca Giordano, Micco Spadaro, Giovan Battista Beinaschi, and Pietro del Pò.
Giovanni Antonio Pellegrini: painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano.
Realism (arts): of marine painting largely disappeared in fine art until the early Industrial Revolution, scenes from which were painted by a few painters such as Joseph
Zacharie Noterman: Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs
Pio Monte della Misericordia: altar, houses Caravaggio's Seven Works of Mercy. There are also paintings by Luca Giordano, Carlo Sellitto, Fabrizio Santafede, Battistello Caracciolo and
Andrea Vaccaro: influential on Neapolitan painting besides that of Massimo Stanzione, the leading artist at that time, and that of the young Luca Giordano, who was just making
Italian Baroque art: both in Rome. Luca Giordano 1634-1705 was born in Naples and was so prodigious in his output of paintings that he was known as ‘Luca fa presto’ (Luke
Santa Brigida, Naples: Judgment and The Passion, by Luca Giordano. The painter himself is buried in the church. Some of the Giordano paintings were completed by his pupil, Giuseppe
Pinacoteca metropolitana di Bari: Bordon, Giovanni Bellini, Tintoretto, Palma il Giovane, Pacecco De Rosa, Luca Giordano, Corrado Giaquinto, Francesco De Mura, Giuseppe De Nittis, Giovanni
Annunciation with St. Margaret and St. Ansanus: Peter Leopold had it moved to Florence in exchange of two canvasses by Luca Giordano. The original frame, carved by Paolo di Camporegio and gilt by Memmi
Antonio Molinari (painter): strongly influenced by the vigorous and athletic paintings of Neapolitan painters such as Luca Giordano. He typically painted tumultuous narratives of mythology
Musée d'Arts de Nantes: Bernardo Daddi Orazio Gentileschi Luca Giordano Gerard van Honthorst Charles de La Fosse Georges de La Tour: 3 paintings Peter Lely Giovanni Battista Moroni
List of Western European paintings in Ukrainian museums: Jacques-Louis, Portrait of Lazare Hoche Hals, Frans, Portrait of Descartes Luca Giordano, Death of Orpheus Magnasco, Alessandro, Funeral of a monk Master of
The Fall of the Rebel Angels (Floris): The Fall of the Rebel Angels is an oil on panel painting by Flemish painter Frans Floris. The painting was the central panel of a triptych. The side panels
Saint Luke the Evangelist (Master Theodoric): subject of many famous painters (Correggio, Frans Hals, El Greco, Titian, Guercino, Luca Giordano). In the Czech lands, St. Luke (painting the Crucifix) is
Giovanni Andrea Podestà: Luca in Rome. He died in Genoa. A majority of Podestà's paintings depict children playing amid classical objects in landscapes. Few of his paintings have
Museum of Fine Arts of Rennes: Italian painting is featured with Ludovico Carracci, Guercino, Pietro da Cortona, Guido Reni and also Luca Giordano. Dutch and Flemish painting is represented
Chapel of St Luke, Annunziata: Solomon by Santi di Tito Apparition of the Virgin to St Bernard by Luca Giordano Sculptures per La scheda ufficiale di catalogo. Abraham by Stoldo Lorenzi
Futurism: in 1911 the Futurist painters adopted the methods of the Cubists. Cubism offered them a means of analysing energy in paintings and expressing dynamism
An account of the lives and works of the most eminent Spanish painters, sculptors and architects: (Pietro Torrigiano, Tiziano, Sofonisba Anguissola, Federico Zuccari, Luca Giordano and many others) as well as Flemish artists (Antonio Moro, Pieter Paul
Casa de Pilatos: painted in the sixteenth century; in the library are three works by painter Luca Giordano. As with most palaces of the period, the Casa de Pilatos also has
Museo di Capodimonte: to see paintings of the Neapolitan School, often under-appreciated by the wider world, with large holdings of Jusepe de Ribera, Luca Giordano, the Neapolitan
Anthony van Dyck: time onward and was extremely influential for Italian Baroque painters, from Luca Giordano to Pietro Novelli. Versions include those in Madrid, Houston
Gaspare Diziani: lightness of coloration that the latter had gained from the frescoes of Luca Giordano. His pupils included Pietro Edwards and Jacopo Marieschi (1711–1794)
Ascanio Luciano: hand of Luca Giordano or Giuseppe Simonelli while others ascribe the work entirely to Luciano. The type of decorative architectural paintings that Luciano
Casón del Buen Retiro: entrance on the west side of Retiro Park. The artistic importance of Luca Giordano's The Allegory of the Golden Fleece, a c. 1694 fresco on the ceiling
Pietro da Cortona: the classicising compositions by painters such as Domenichino and Andrea Sacchi, and remind us that Baroque painting could be grand in an epic manner
San Giorgio dei Genovesi, Palermo: by Garibaldi. Oil on canvas: Annunciation, Luca Giordano Our Lady of the Rosary and Saints, Luca Giordano Baptism of Jesus, Palma il Giovane Martyrdom
Francesco Solimena: was a highly conventional painter—after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish
List of people from Sicily: Carmelite priest and blessed Benedict the Moor (1526–1589), friar and saint Giordano Ansaloni (1598–1634), Dominican missionary and saint Bernard of Corleone
Giambattista De Curtis: te)". De Curtis moved to the Vomero quarter in 1916, living in via Luca Giordano next door to the Villa Floridiana. He continued to compose, write and
Paolo de Matteis: in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702
Sebastiano Conca: 1739–1741. His painting was strongly influenced by the Baroque painter Luca Giordano. Among Conca's pupils there were Pompeo Battoni, Andrea Casali,
Hans Jordaens: Hans III Jordaens (d.1643), of Antwerp. Houbraken also mentioned that Luca Giordano was possibly his son from the period that he lived in Naples (his tone
Caravaggisti: death. Many of his paintings were reascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst
Leonardo Coccorante: Master Paintings, the Properties of the Estate of Josephine Hartford Bryce, etc. [Cavallino, Coccorante, Droochsloot, Dusart, Fontana, Giordano, Guardi
Santa Maria della Salute: scenes from the life of the Virgin Mary, patroness of the church, by Luca Giordano: The Presentation of Our Lady in the Temple, Assumption of Our Lady
Aniello Ascione: the late 17th century Neapolitan painters who were influenced by Luca Giordano. The Italian art historian and painter Bernardo de' Dominici stated that
Light in painting: Pietro da Cortona, Andrea Pozzo, Giovanni Battista Gaulli (il Baciccio), Luca Giordano and Charles Le Brun stood out. In works such as the ceiling of the church
Alte Pinakothek: Veronese (Amor with two dogs), Guido Reni (The Assumption of the Virgin), Luca Giordano (A Cynical Philosopher), Tiepolo (The Adoration of the Kings), Francesco
Sebastiano Ricci: than Naples, collects the Ricci inheritance of the prodigioso trade of Luca Giordano... Sebastiano throws again it, widens he then, refines it for the school
Corrado Giaquinto: independence from Solimena, and reveals his stylistic dependence on Luca Giordano. In 1733, the architect and artistic director for the House of Savoy
Attilio Pratella: the Vomero neighborhood of Naples in the early 1920s, at first to Via Luca Giordano. Together the Pratellas had five children: Fausto (1888-1964), Ugo (1890-1978)
Collection of the National Gallery, London: paintings; Duccio di Buoninsegna – 5 paintings; Artemisia Gentileschi - 1 painting; Raffaellino del Garbo – 3 paintings; Luca Giordano – 16 paintings;
Violante Ferroni: as at the Uffizi Gallery. The pieces were reported to be a copy of a Luca Giordano, a copy of a Guido Reni, and a copy of the Martyrdom of Saint Bartholomew
Schleissheim Palace: as Peter Paul Rubens and Anthony van Dyck, Italians like Guido Reni, Luca Giordano, Guercino, Carlo Saraceni, Marcantonio Bassetti, Alessandro Turchi,
Judith Colton: Angels: Neapolitan Painting in North America: 1650-1750, which included commentary on late Baroque painter and printmaker Luca Giordano. "The Endymion Myth
Nicola Vaccaro: Italian painter, theatre director and opera librettist in Naples. He was known for his religious and allegorical paintings who created easel paintings as frescos
List of artists in the Web Gallery of Art (A–K): Fighting for the Soul of a Child, Private collection (url) Luca Giordano (1632–1705), 31 paintings : Christ Cleansing the Temple, Bob Jones University Collection
Santa Maria della Mercede e Sant'Alfonso Maria de' Liguori: Giuseppe Simonelli Both Simonelli and Malinconico were students of Luca Giordano. The main altarpiece is a canvas depicting the Ransom of Slaves (1672)
Simon Vouet: French painters for the following generation. His most influential pupil was Charles le Brun, who organized all the interior decorative painting at Versailles
Palazzo Pallavicini-Rospigliosi: by David de Coninck: Boy with greyhound . Luca Giordano with Helen's escape. Guercino has eight paintings including San Francis praying, Fruit-seller
Santa Maria de Montserrat Abbey: Land. Ancient painting, showing works by authors such as El Greco, Caravaggio (from this author, an important St. Jerome), Luca Giordano, Giambattista
Juan B. Castagnino Fine Arts Museum: Anonymous Italian painter. Virgin and Child, 16th Century. Maarten van Heemskerck. Self Portrait, 16th Century. Luca Giordano. Saint Luke painting the Virgin
Burghley House: large paintings by Johann Carl Loth, a German painter active in Venice with few works in British collections. There are in total seven works by Luca Giordano
Manchester Art Gallery: painting; Vernet, Claude-Joseph – 1 painting; German School Zoffany, Johan – 1 painting; Italian School Daddi, Bernardo – 1 painting; Giordano, Luca
Italian art: artists include the Genoese Giovanni Battista Gaulli and the Neapolitans Luca Giordano and Francesco Solimena. The leading lights of the 18th century came
1705 in art: January 12 – Luca Giordano, Italian late Baroque painter and printmaker in etching (born 1634) March 28 – Gaspard Rigaud, French painter and portraitist
Palazzo Altieri: interiors still possess major works of art and decoration, including paintings by Luca Giordano, Bernardo Strozzi, Pieter Mulier the younger, Domenico Maria Canuti
List of people from Italy: Turin, is considered by several authorities his masterpiece Luca Giordano (1634–1705), painter, the most important Italian decorative artist of the second
Nicola Malinconico: Malinconico (1663—1721) was a Neapolitan painter of the late-Baroque. He is described as a follower of Luca Giordano, and painted mostly religious canvases
Bologna: (Prospero Lambertini, Pope 1740–58) Giovanni II Bentivoglio (1443–1508) Giordano Berti (writer, born 1959) Amedeo Biavati (footballer, 1915–1979, credited
Mattia Preti: worked in Naples, where he was influenced by another prominent painter of his era, Luca Giordano. Preti's major works include a series of large frescoes, ex-votos
Hans IV Jordaens: on his paintings with ease" and was called "Potlepel" or "Brypotlepel" by the Bentvueghels for this. Houbraken also mentioned that Luca Giordano was claimed
Santa Maria La Nova: the left, partially obstructed by the organ, has paintings attributed to an 8 year old Luca Giordano. The church is a part of a larger monastic complex
Royal Collection: painting Orazio Gentileschi – at least 2 paintings Luca Giordano – at least 12 paintings Guercino (Giovanni Francesco Barbieri) – at least 1 painting
Accidental damage of art: collection of the royal chapel. Among the paintings, were works by Luca Giordano, El Greco, Giulio Cesare Procaccini, José de Ribera, Peter Paul Rubens
1682 in art: Nicolas Colombel - Christ Expelling the Money-Changers from the Temple Luca Giordano - The Judgement of Paris (approximate date) Godfrey Kneller - Portrait
Cosenza: archbishops' palace, the Palazzo Arcivescovile, which houses an Immacolata by Luca Giordano. One can also admire the rare and precious Stauroteca, a gift from Emperor
Evaristo Muñoz: attributed to him. They were originally believed to be the work of Luca Giordano. Pérez Sánchez, Alfonso E. (1992). Pintura barroca en España 1600-1750
Palazzo Medici Riccardi: the magnificent gallery frescoed with the Apotheosis of the Medici by Luca Giordano. The Riccardi family sold the palace to the Tuscan state in 1814 and
Villa Carafa of Belvedere: artists such as Luca Giordano. Ferdinand van den Eynde's precious art collection (which included several paintings by Luca Giordano) was later inherited
1700 in art: Events from the year 1700 in art. Luca Giordano returns to Naples a wealthy man after the death of his patron, Charles II of Spain. Pierre Le Gros the
List of painters in the Art Institute of Chicago: Eung-won (1855–1921), 1 painting : Artic Roland Ginzel (1921–2021), 2 paintings : Artic Luca Giordano (1632–1705), 1 painting : Artic Giovanni di Paolo
Art collection of Fondazione Cariplo: Gentilini Melchiorre Gherardini Eugenio Gignous Lorenzo Gignous Luigi Gioli Luca Giordano Bartolomeo Giuliano Piero Giunni Francesco Gnecchi Emilio Gola Marco
National Gallery of Armenia: "Good Samaritan" by Leandro Bassano, works of Luca Giordano, Pietro da Cortona, Sebastiano Ricci, Luca Signorelli, Pompeo Batoni, Bernardino Luini, Paolo

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