John the Baptist

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Saint John the Baptist (Alonso Cano): artist for the church of San Juan de la Palma, during his Seville period. In 1634 the Parish of Saint John the Baptist commissioned painter Juan del Castillo
Dosso Dossi: an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione
Opening of the Fifth Seal: side-altar of the church of Saint John the Baptist outside the walls of Toledo. Before 1908, El Greco's painting had been referred to as Profane Love. The scholar
Holy Family with the Infant Saint John the Baptist (Correggio, Los Angeles): Holy Family with the Infant Saint John the Baptist is a small (26.5 cm by 21 cm) oil on canvas painting, attributed to Correggio and dating to around 1514
Kergoat chapel: 1935. The Kergoat pardon was immortalised by the painter Jules Breton in 1891 with the painting Le Pardon de Kergoat. This painting is held in the Quimper
Beheading of John the Baptist (Damaskinos): his painting technique. The Beheading of John the Baptist was a popular theme among Greek and Italian painters. The Beheading of John the Baptist, painted
Salaì: figure is closer to Salaì's copy of Leonardo's painting, than to the original John the Baptist in the Louvre. It is accepted as by Leonardo's hand. A
Albani Torlonia Polyptych: The Albani Torlonia Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, executed in 1491 and housed in the Torlonia Collection
The Baptism of Christ (Patinir): The Baptism of Christ is an oil on oak wood painting executed c. 1515 by the Flemish Renaissance painter Joachim Patinir, which is now in the collection
Madonna with Child with Young John the Baptist (Cranach): with Young John the Baptist is a painting by the German Renaissance painter Lucas Cranach the Elder, dating from 1514. It is housed in the Uffizi Gallery
Francisco López (17th-century painter): - 1629) was a Spanish painter and engraver. He was a pupil of Bartolommeo Carducci, whom he assisted in 1595 in painting for the church of San Felipe el
View of Brussels: painted by Jan Baptist Bonnecroy, a Flemish painter from Antwerp, circa 1664-1665. It belonged to the Dukes of Arenberg. Around 1960, the painting was sold
Domenico Mancini: late 15th century, died in 16th century) is an Italian painter of the Venetian mainland, painting in a High Renaissance style. Mancini was either a pupil
Jan-Baptist Huysmans: a Belgian painter known for his Orientalist scenes. He led a peripatetic life style and travelled and worked in many countries. Jan Baptist Huysmans was
David and Goliath (Caravaggio): on the man's torso. This painting and two others done at about the same time – the first version of Sacrifice of Isaac and the first John the Baptist
Madonna and Child enthroned with St. John the Baptist and St. Augustine (Permeniates): Madonna and Child enthroned with St. John the Baptist and St. Augustine is an oil painting by Greek painter Ioannis Permeniates. He was from Crete living
Salvator Mundi (Leonardo): John the Baptist, and dating from the second Milan period. Some respected experts on Renaissance art question the full attribution of the painting to
Leonardo da Vinci: moment of the infancy of Christ when the infant John the Baptist, in protection of an angel, met the Holy Family on the road to Egypt. The painting demonstrates
Taddeo di Bartolo: known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies
Pieter Bruegel the Elder: and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in
The Incredulity of Saint Thomas (Caravaggio): believed."John 20:29 The painting features heavy chiaroscuro. Thomas's face shows surprise as Jesus holds his hand and guides it into the wound. The absence
John Baptist Medina: Sir John Baptist Medina or John Baptiste de Medina (1659 – 5 October 1710) was an artist of Flemish-Spanish origin who worked in England and Scotland
The Rest on the Flight into Egypt (Bordone): which would account for the presence of John the Baptist and the pictured moment being on the return from Egypt instead of on the way there. It does not
Hugo van der Goes: publication inspired the late Romantic Belgian painter Emile Wauters (a nephew of Alphonse Wauters) to create his 1872 painting Portrait of Hugo van der
Jan Baptist Francken: Jan Baptist Francken was supposed to be a painter from the Francken family and/or the son of Sebastian Vrancx, but is now considered to have been an error

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