Antoine-Jean Gros

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Antoine-Jean Gros: Antoine-Jean Gros (French pronunciation: ​[ɑ̃twanʒɑ̃ gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was given title
Charles-Philippe Larivière: Paris) was a French academic painter and lithographer. A talented student of Paulin Guérin, Girodet-Trioson and Antoine-Jean Gros, he was admitted to the école
Bonaparte at the Pont d'Arcole: Pont d’Arcole (French: Bonaparte au Pont d’Arcole) is a 1796 painting by Antoine-Jean Gros, showing an episode during the Battle of Arcole in November
Napoléon on the Battlefield of Eylau: sur le champ de bataille d'Eylau) is an oil painting of 1808 by French Romantic painter Antoine-Jean Gros. Completed during the winter of 1807–1808, the
History painting: of contemporary history in a frankly propagandistic fashion by Antoine-Jean, Baron Gros, Jacques-Louis David, Carle Vernet and others was supported by
Eberhard Georg Friedrich von Wächter: Jacques-Louis David, and Antoine-Jean, Baron Gros, and later went to Rome, where he improved his French classical style of painting by the study of Italian
Jean-Auguste-Dominique Ingres: Napoleon painted by Antoine-Jean Gros in 1802. In the summer of 1806, Ingres became engaged to Marie-Anne-Julie Forestier, a painter and musician, before
Jean Alphonse Roehn: des Beaux Arts, where he studied under Jean-Baptiste Regnault and Antoine-Jean Gros. He started exhibiting painting at the Salon in 1822, and in 1827, he
Sappho at Leucate: known as The Death of Sappho, is an oil on canvas painting, executed by the French painter Antoine-Jean Gros in 1801. It has the dimensions of 122 by 100 cm
Panthéon: subsequently. The fresco by Gros seen from inside the dome The Apotheosis of Saint Genevieve, in the dome by Antoine-Jean Gros (1811–1834) Looking up from
Théodore Géricault: events by Antoine-Jean Gros, figure groupings by Henry Fuseli, and possibly the painting Watson and the Shark by John Singleton Copley. The painting ignited
Bonaparte Visiting the Plague Victims of Jaffa: les pestiférés de Jaffa) is an 1804 painting commissioned by Napoleon Bonaparte and painted by Antoine-Jean Gros portraying an event during the French
The Battle of Aboukir: The Battle of Aboukir is an oil on canvas painting by French artist Antoine-Jean Gros, executed in 1806. It has the large dimensions of 578 by 968 cm
Eugène Lami: Beaux-Arts in Paris with Camille Roqueplan and Paul Delaroche under Antoine-Jean Gros. While there, he learned watercolor technique from Richard Parkes
Paul Delaroche: leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet.
Joseph-Désiré Court: Marc-Antoine Descamps [fr], at a drawing school established by Descamps' father, Jean-Baptiste. Following that, he worked at the studios of Antoine-Jean Gros
The Death of Marat: David's death, the painting languished in obscurity. During David's exile in Belgium, it was hidden, somewhere in France, by Antoine Gros, David's most famous
Old Master: Master" (or "old master") refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print"
List of French artists: (1767–1824), painter Jean-Baptiste Isabey (1767–1855), painter Antoine Jean Gros (1771–1835), painter Pierre Narcisse Guérin (1771–1833), painter Adélaïde
Western painting: Jacques-Louis David, 1787 John Singleton Copley, 1778 Antoine-Jean Gros, 1804 John Constable, 1802 Jean-Auguste-Dominique Ingres, 1808 Francisco Goya, 1814
The Raft of the Medusa: painting and the Neoclassical style continued through the work of Antoine-Jean Gros, Jean Auguste Dominique Ingres, François Gérard, Anne-Louis Girodet de
Antoine-Alphonse Montfort: After 1820, he was employed in the workshop of Antoine-Jean Gros. He also received advice from the painter Théodore Géricault. From 1827 to 1828, under
Jean-Baptiste Delestre: Delestre was born at Lyons in 1800. He was a pupil of Gros, and he also studied water-colour painting and sculpture; after a time, he abandoned the practice
Napoleon Crossing the Alps: portraits that were later produced by Antoine-Jean Gros, Robert Lefèvre (Napoleon in his coronation robes) and Jean Auguste Dominique Ingres (Napoleon I
Carl Joseph Begas: (1751–1825). In 1813, he went to Paris, where he became a student of Antoine-Jean Gros. While there, shortly after the Battle of Paris, his talent was noticed
Richard Parkes Bonington: attending the École des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros. It was around this time that Bonington started going on sketching
François Debon: 1807, Paris – February 29, 1872, Paris), was a French painter. He studied under Antoine-Jean Gros and Abel de Pujol, and exhibited at the Paris Salon,
George Peter Alexander Healy: for, and remained abroad sixteen years during which he studied with Antoine-Jean Gros in Paris and in Rome, came under the influence of Thomas Couture,
History of painting: Jacques-Louis David 1787 John Singleton Copley 1778 John Constable 1802 Antoine-Jean Gros, 1804 Jean Auguste Dominique Ingres 1814 Francisco de Goya 1814 Théodore
Pierre Le Gros the Younger: him from his father, Pierre Le Gros the Elder, who was also a sculptor of renown to the French king Louis XIV. Le Gros was born in Paris into a family
Alexis Leon Louis Valbrun: prominent French painter specialized in portraits of the European aristocracy. He studied under Nicolas Gosse and was a pupil of Antoine-Jean Gros. He entered
Charles Louis Müller: December 1815 – 10 January 1892 Paris) was a French painter. He was the pupil of Léon Cogniet, Baron Gros and others in the École des Beaux-Arts. In 1837
Rouen: the subject of a series of paintings by Claude Monet, some of which are exhibited in the Musée d'Orsay in Paris. The Gros Horloge is an astronomical clock
Léon Riesener: Louis Antoine Léon Riesener (21 January 1808 – 25 May 1878) was a French Romantic painter. Enchanted by the play of light and reflections which transformed
The Embarkation for Cythera: Embarkation for Cythera ("L'embarquement pour Cythère") is a painting by the French painter Jean-Antoine Watteau. It is also known as Voyage to Cythera and Pilgrimage
Karl Wilhelm Wach: Paris. He met William Hensel and the two became pupils of the painters Antoine Jean Gros and Jacques-Louis David. In 1817 Wach undertook a longer study
Ernest Meissonier: himself as a "painter of history". After some not very happy attempts at religious painting, he returned, under the influence of Antoine-Marie Chenavard
Musée des Beaux-Arts de Bordeaux: Allan Ramsay André Lhote Antoine-Jean Gros Antonio Bellucci Anthony van Dyck Artus Wolffort Auguste Renoir: Landscape of Cagnes Jean-Joseph Benjamin-Constant:
Adolphe Brune: subjects, portraits, still life, and mural compositions. He studied under Gros, and made his debut at the Salon in 1833 with an 'Adoration of the Magi.'
Auguste-Hyacinthe Debay: of thirteen. After studying under Gros, he obtained the Prix de Rome in 1823. Soon after this he gave up painting for sculpture, which he studied under
Eugène Goyet: ranked at the top of his class of sixty students at the atelier of Antoine-Jean Gros. At some point Goyet's parents also moved to Paris, with the family
Orientalism: was also recorded in subsequent years by Napoleon's court painters, especially Antoine-Jean Gros, although the Middle Eastern campaign was not one on which
Legacy and memory of Napoleon: After the Revolution: Antoine-Jean Gros, Painting & Propaganda under Napoleon (2006). P. Jill Morse, "The Medics in A. J. Gros's 'Bonaparte At The Pest
Auguste-Joseph Carrier: – February 1875), a French painter. He was a pupil of Gros, Prud'hon, and Saint, and evinced much talent in the painting of miniatures, but in his later
Charles Meynier: Paris) was a French painter of historical subjects in the late 18th and early 19th century. He was a contemporary of Antoine-Jean Gros and Jacques-Louis
Jacques-Louis David: French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked
Jean-Léonard Lugardon: he won several prizes. From 1820 to 1822, he studied with Antoine-Jean Gros in Paris, and Jean-Auguste-Dominique Ingres in Florence. He worked there again
Transfiguration (Raphael): of Raphael. Jean-Baptiste Wicar, a member of Napoleon's selection committee, was a collector of Raphael's drawings. Baron Antoine-Jean Gros, another member
Hippolyte Bellangé: drawings in lithography. He afterwards pursued his systematic studies under Gros, and with the exception of some portraits, devoted himself exclusively to
Eugène Boudin: the area and exhibited in the shop the paintings of Constant Troyon and Jean-François Millet, who, along with Jean-Baptiste Isabey and Thomas Couture whom
Musée des Augustins: Valenciennes, Antoine-Jean Gros and Jean-Antoine Houdon, as well as painters from Toulouse and its region, such as Nicolas Tournier, Antoine and Jean-Pierre
Louis Pierre Henriquel-Dupont: engraved many paintings by his contemporaries : Paul Delaroche, Ary Scheffer, Dominique Ingres, Joseph-Nicolas Robert-Fleury, Antoine-Jean Gros, François
List of French artistic movements: Roussy-Trioson (1767–1824) Antoine-Jean Gros (1771–1835) Pierre Narcisse Guérin (1771–1833) Théodore Géricault (1791–1824) Jean-Baptiste-Camille Corot (1796–1875)
French art: Emperor Napoleon I of France was closely coordinated in the paintings of David, Gros and Guérin. Jean-Auguste-Dominique Ingres was the main figure of neoclassicism
Neoclassicism in France: David (1800) French painting was dominated for years by David and his pupils, including Antoine-Jean Gros (1771-1835), and later Jean-Auguste Dominique
List of artists in the Web Gallery of Art (A–K): collection (url) Antoine-Jean Gros (1771–1835), 10 paintings : Madame Pasteur, Musée du Louvre, Paris (url) Carlo Grubacs (1812–1870), 2 paintings : A Venetian
Palace of Fontainebleau: replaced by new paintings on the same theme. The paintings were done in the same style by about a dozen painters from the Royal Academy of Painting and Sculpture
Empress Joséphine: Gerard. However, there was one painter whom Josephine favored and commissioned more often than others, Antoine-Jean Gros. Gros, upon hearing that Josephine
Arch of Titus (painting): Because of this, in 1834, he went to Paris to study with artist Antoine Jean Gros at the École des Beaux-Arts, one of the most influential art schools
Adrien Manglard: Gallery in Florence. The painting is now lost. Rome based sculptor Pierre Le Gros acquired six marine views by Manglard. Le Gros died in 1719, which makes
Eugène Delacroix: Horatii, only a disaster. Many critics deplored the painting's despairing tone; the artist Antoine-Jean Gros called it "a massacre of art". The pathos in the
List of painters in the Art Institute of Chicago: Artic Antoine-Jean Gros (1771–1835), 1 painting : Artic Oliver Dennett Grover (1861–1927), 1 painting : Artic Francesco Guardi (1712–1793), 4 paintings :
Éloi Firmin Féron: Éloi Firmin Féron (1802–1876) was a French neoclassicist painter. A student of Antoine-Jean Gros, he won the Prix de Rome for his Damon et Pythias in 1826
Pierre-François Percy: the Arc de Triomphe in Paris. He is shown in the French painter Antoine-Jean Gros's 1808 painting Napoléon on the Battlefield of Eylau. Percy is presented
Bernard-Romain Julien: Paris, where he studied painting from 1822 onwards under Antoine-Jean Gros at the École des Beaux-Arts. He exhibited some paintings and drawings at the Paris
Henri Decaisne: Belgian historical and portrait painter. Decaisne was born at Brussels in 1799. As early as 1814 he began to study painting under François, and in 1818 upon
Acis and Galatea: his presence plainly distresses Galatea. Other French examples by Antoine Jean Gros (1833) and Édouard Zier (1877) show the lovers hiding in a cave and
French Restoration style: coronation painting of the Emperor Napoleon. Other former pupils of David included Antoine-Jean Gros (1771-1835), and the most prominent of all, Jean-Auguste-Dominique
Léon-Jean-Joseph Dubois: Léon-Jean-Joseph Dubois studied fine arts and painting in the ateliers of painters Antoine-Jean Gros and Jacques-Louis David in Paris. He became then
List of Académie des Beaux-Arts members: Painting: (1861–1945) 1946: Jean Souverbie [fr] (1891–1981) 1984: Arnaud d'Hauterives [fr] (1933–2018) 2020: Catherine Meurisse (born 1980) 1816: Antoine Gros (1771–1835)
Bonaparte Crossing the Alps: evacuation of Italy. Delaroche, who studied with Antoine-Jean Gros, a protege of David, was a popular French painter of portraits and grand subjects from history
Louis Krevel: was able to go study in Paris. While there, he may have worked with Antoine-Jean Gros and was influenced by the works of Ingres. In 1827, one of his portraits
Pierre-Jules Jollivet: His primary instructors were François-Louis Dejuinne and Antoine-Jean Gros; both painters of historical and genre scenes. At the same time, he became
Joseph Marie Terray: A small marble Bartholomew by Pierre Le Gros the Younger was purchased from the estate of the painter Jean-François de Troy, the head of the French Academy
Johann Friedrich Dietler: From 1822 to 1833 he was in Paris to continue his training under Antoine-Jean Gros, and copied the Old Masters in the Louvre. He later worked under Léopold
Scandals in art: devoid of heroism and glory was regarded as "a massacre of art" (Antoine-Jean Gros). In 1831, the lithograph Gargantua by Honoré Daumier in the satirical
Château de Montmorency (Val-d'Oise): Pierre Le Gros the Younger and paintings by Charles de La Fosse. The building was demolished in 1817. From 1759 to 1762, the French philosopher Jean-Jacques
Rogier van der Weyden: his definitive work in 1953 Early Netherlandish Painting and established that there was only one painter with two names. Relatively few works are attributed
Joseph Beaume: September 1885 in Paris) was a French historical painter. Baume was a favourite pupil of Antoine-Jean Gros and a frequent contributor to the Salon between
List of Orientalist artists: 1820–1884) Orientalist photographer Marco de Gregorio (Italian, 1829–1876) Antoine-Jean Gros (French, 1771–1835) John Griffiths (artist) (British, 1837–1918) Guan
Military art: Hichberger, 10-11 Norman, Geraldine. (1977). "Gros, Baron Antoine Jean", Nineteenth-century Painters and Painting: A Dictionary, p. 100., p. 100, at Google
Alexandre Debelle: to the area. In addition to his early studies, he also worked with Antoine-Jean Gros and Camille Roqueplan but, in 1832, failed to qualify for admission
Alexandre-Marie Guillemin: Alexandre-Marie Guillemin (1817–1880) was a French genre painter. He studied under Antoine-Jean Gros and in 1861 he was awarded the Legion of Honour. David
Palace of Versailles: Rigaud, Jean-Antoine Houdon, Jean-Marc Nattier, Élisabeth Vigée Le Brun, Hubert Robert, Thomas Lawrence, Jacques-Louis David, and Antoine-Jean Gros. Others
Catalog of paintings in the Louvre Museum: The Catalog of paintings in the Louvre Museum lists the painters of the collection of the Louvre Museum as they are catalogued in the Joconde database
Louvre: history of the Louvre. La Caze gave 584 paintings of his personal collection to the museum. The bequest included Antoine Watteau's Commedia dell'arte player
Émile Perrin: was Camille du Locle. Perrin studied under Gros and Delaroche, and pursued a career as a history painter, exhibiting at the Salon. In between his appointments
Hôtel de Crozat: north, west, and south. The painter Jean-Antoine Watteau, whom Crozat generously supported, created four oval paintings depicting the Seasons for the
Adolphe Roehn: winning entry was Napoléon on the Battlefield of Eylau by Antoine-Jean Gros). Like his son, Jean Alphonse Roehn, he taught drawing at the Louis-Legrand School
Eugène Roger: Hersent, whose student he became. Later, he studied with Antoine-Jean Gros and, in 1832, with Jean-Auguste-Dominique Ingres. He entered the competition for
The Third of May 1808: also have been responding to a painting by Antoine-Jean Gros; the French occupation of Madrid is the subject of Gros's Capitulation of Madrid, The Fourth
Auguste-Joseph Desarnod: to 1850, and was also a painter. He received his first lessons in painting at the École des Beaux-Arts from Antoine-Jean Gros. In 1812, he enlisted as
Eloy Chapsal: the École des Beaux-arts in 1830. At various times, he worked with Antoine-Jean Gros, Merry-Joseph Blondel and David d'Angers. After several unsuccessful
Women of Algiers: dans leur appartement) is the title of two oil on canvas paintings by the French Romantic painter Eugène Delacroix. Delacroix's first version of Women of
1714 in art: May 11 – Pierre Le Gros the Elder, French sculptor for the Versailles (born 1629) August 20 – Cristóbal de Villalpando, Mexican painter (born 1649) October
Carl Peter Mazer: In 1825, he accompanied his father to Paris and took lessons from Antoine-Jean Gros; becoming his assistant and helping to paint the backgrounds on historical
1835 in art: 1762) June 25 – Antoine-Jean Gros, French painter (born 1771) August 20 – Friedrich Rehberg, German portrait and historical painter (born 1758) October
Joaquim Espalter: 1829 and studied with Antoine-Jean Gros, then established himself in Rome in 1833, where he became part of a group of Catalan painters associated with the
Émile Signol: was born in Paris. He studied under Blondel and Gros. He made his Salon debut in 1824 with a painting of Joseph Recounting His Dream to His Brothers.
Saint-Quentin, Aisne: printmaker, professor at Painting Academy of Paris. Delphine Gleize (1973-), film director. Paul Guiramand, (1926–2007), painter and winner of the grand

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